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Developing the aesthetic of Blade Runner 2049

Shahin Toosi. Double Negative. London

Речь пойдет о том, как создавалась уникальная картинка для Blader Runner 2049.

Какую роль сыграли в этом NUKE и V-Ray. Речь также пойдет о сложных сценах (голограмма Joi) и о том, в какую сторону движется современный композитинг и его роль в нынешнем постпродакшене. Выступление для всех, кто хочет понимать как делаются современные спецэффекты для кино и что за этим стоит.

In this presentation, Freelance Visual Development Artist, Shahin Toosi, will explain how he used Nuke and V-ray for the visual development of LA’s smog and neon lights for Blade Runner 2049, as well as the vis-dev for particularly challenging sequences (such as the love scene between a holographic Joi and a real-life Ryan Gosling), and finally also look at where vis-dev is headed for the future.


Shahin Toosi, VFX Designer / Look DevelopmentDouble Negative

Shahin Toosi started his career in VFX for feature film in 2005 on X-Men 3 and has since worked at Framestore, Moving Picture Company and as Senior Compositor at Double Negative for the last 7 years. Shahin’s work can be found in such films as “The Dark Knight”, “The Dark Knight Rises”, “Scott Pilgrim vs the World”, “ Captain America: The First Avenger”, “Thor: The Dark World, “Exodus: Gods and Kings”, “ Godzilla”, to name but a few.

  |   _CG EVENT KIEV 2018, hit, Render, VFX & Compos